The original 67 mic became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years – we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana. The original mics are still sought after, but they can command upwards of $8000 for a pristine unit !Thankfully, Warm Audio has now come to the rescue with the release of the new WA-67. Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.If the mic capsule isn’t right, nothing is. Warm Audio went to great lengths to recreate the original ’67 capsule – same performance, same frequency response and same character as the original. That meant not only ensuring that the hole pattern was identical, but we also made sure to craft the entire assembly out of brass (including the mounting rings) just like the original design. It takes more time and it’s more expensive than using multiple types of material, but we felt that it was critical to go the extra mile on this microphone. The results speak for themselves – the WA-67 sounds incredible.The EF-86 tube is well-known in the industry for having characteristics that are consistently flattering to audio sources, and it’s one of the reasons why the original ’67 microphone remains sought after. Going even further, in order to accentuate and complement the custom capsule and EF86 tube, we used top-shelf components to complete our version of the original circuit. We used high-bandwidth polystyrene capacitors, as well as boutique polypropylene caps from Wima and a large output capacitor from Solen. Just as important in a tube design, we also used a custom large-core transformer from Lundahl in Sweden, which plays a significant role in the buttery smooth high frequency response and huge three-dimensional sound of the WA-67. The microphone is also encased in a beautiful nickel-plated brass body and headbasket, which provides strength, additional shielding from extraneous handling noise and ultimate audio performance. Last but not certainly not least, the quality of the 7-pin cable that connects a tube mic to its power supply is also of paramount importance – it carries both audio signals and voltage for the tube on different pins, which means that it plays an integral role in the performance of the microphone. That’s why we’ve partnered with high-end manufacturer Gotham Audio of Switzerland to use their high-end GAC-7 cable with the WA-67. This special cable is integral to the sound and performance of the microphone, and adds the finishing touch to the WA-67 system.
Large diaphragm studio condenser microphone
Faithful re-creation of the classic ’67-style pentode tube circuit
EF86 pentode tube for creamy smooth clarity and brilliance
Custom large-core transformer from Lundahl Sweden
Custom all-brass large K67-style vintage capsule re-creation
Gold-sputtered Mylar diaphragm, 6 microns thick
High-bandwidth polystyrene capacitors
Boutique capacitors from Wima and Solen
Nickel-plated brass microphone body and headbasket
Premium 7-pin audio cable from Gotham Switzerland
Polar Patterns: Cardioid, Omni, Figure-of-Eight
Switchable hi-pass filter
Switchable -10 db pad
Frequency response: 20 Hz – 20 kHz
Rated impedance: 200 ohms
Rated load impedance: 1kilohms
Equivalent noise level (A-weighted): 17 dB-A
Maximum SPL for THD 0.5%: 138 dB
Signal to noise ratio (A-weighted): 78 dB
Microphone includes: wood box, shockmount, hardmount, power supply, 7-pin mic cable
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