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Universal Audio Apollo 8P in perfecte staat

Universal Audio Apollo 8P in perfecte staat

 1,995.00

OP VOORRAAD  

Uitsluitend af te halen in Alkmaar

(is in overleg gratis thuis te bezorgen)

Ingeruild model in perfecte staat

Met garantie !

Wordt geleverd met BTW-factuur. 

In originele verpakking, beslist als nieuw!!

Wordt geleverd met Analog Classics plus plugin bundel.

De Apollo 8P is een bijzondere update van de meest populaire professionele audio interface. De 8P biedt de bijzondere sound en feel van analoge recording. De 8P is namelijk voorzien van 8 stuks Unison™ mic pre-amps wat deze bijzondere analoge sound geeft. Verder is de Apollo 8p voorzien van de next generation A/D en D/A conversie en uiteraard 4 stuks Sharc DSP processors waarmee de Universal Audio Plugins real time gebruikt kunnen worden.

 

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Universal Audio Apollo 8P

De Apollo 8P is een bijzondere update van de meest populaire professionele audio interface. De 8P biedt de bijzondere sound en feel van analoge recording. De 8P is namelijk voorzien van 8 stuks Unison™ mic pre-amps wat deze bijzondere analoge sound geeft. Verder is de Apollo 8p voorzien van de next generation A/D en D/A conversie en uiteaard 4 stuks Sharc DSP processors waarmee de Universal Audio Plugins real time gebruikt kunnen worden.

Apollo 8p. Features & Specs.
Audio Interface
  • Sample rates up to 192 kHz at 24-bit word length
  • 16 x 20 simultaneous input/output channels:
  • Eight channels of analog-to-digital conversion via mic, line, or high-impedance inputs
  • 12 channels of digital-to-analog conversion via:
    • Six mono line outputs
    • Stereo monitor outputs (switchable to fixed line outputs)
    • Two stereo headphone outputs
  • Eight channels of digital I/O via:
    • Eight channels ADAT Optical Lightpipe I/O with S/MUX for high sample rates
    • Lightpipe I/O can be switched to S/PDIF optical with sample rate conversion
  • Two Thunderbolt 2 ports facilitates daisy-chaining of other Thunderbolt devices
  • Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt (Mac)
Microphone Preamplifiers
  • Eight high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Unison™ technology for deep integration with UAD preamp and pedal plug-ins
  • Front panel and software control of all preamp parameters
  • Switchable low cut filter, 48V phantom power, pad, polarity inversion, and stereo linking
Monitoring
  • Stereo monitor outputs (independent of the six line outputs)
  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Front panel control of monitor levels and muting
  • Two stereo headphone outputs with independent mix buses
  • Independent front panel volume controls for headphone outputs
  • Front panel pre-fader metering of monitor bus levels
  • S/PDIF outputs can be set to mirror the monitor outputs
  • Up to two alternate stereo monitor outputs selectable via front panel or Console software
  • Assignable front panel monitor function switch for alternate speakers, dim, & mono
UAD-2 Inside
  • QUAD Core DSP with four SHARC® processors
  • Realtime UAD Processing on all analog and digital inputs via Console application
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Can be combined with other UAD-2 devices for increased mixing DSP
  • Includes UAD Powered Plug-Ins “Realtime Analog Classics Plus” bundle
  • Complete UAD plug-ins library is available at the UA online store
Software
  • Console application:
    • Analog-style control interface for realtime monitoring and tracking
    • Enables Realtime UAD Processing with UAD plug-ins
    • Remote control of Apollo 8p features and functionality
    • Virtual I/O for routing DAW tracks through Console
  • Console Recall plug-in:
    • Saves Console configurations inside DAW sessions for easy recall
    • Convenient access to Console’s monitor controls via DAW plug-in
    • VST, RTAS, AAX 64, and Audio Units plug-in formats
  • UAD Meter & Control Panel application:
    • Configures global UAD settings and monitors system usage
  • Other
    • Easy firmware updates
    • 1U rack-mountable form factor
    • 3 year warranty includes parts and labor

 

System Requirements

 

Thunderbolt Systems

UAD Powered Plug-Ins 

  • Apple Mac computer or Windows PC with available Thunderbolt or Thunderbolt 2 port
  • Mac OS X 10.8.5 Mountain Lion, 10.9.x Mavericks, or 10.10.x Yosemite, Sierra, high sierra, mojave Windows 7 tot Windows 10
  • 4 gigabytes available disk space
  • Internet connection to download software and authorize UAD plug-ins
  • Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
  • Thunderbolt cable (sold separately)

 

Specifications

Note: All specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced output.

System
  • I/O Complement
    • Microphone Inputs 8
    • High-Impedence (Hi-Z) Instrument Inputs 2
    • Analog Line Inputs 8
    • Analog Line Outputs 6 (eight including monitor outputs)
    • Analog Monitor Outputs 2 (one stereo pair)
    • Headphone Outputs 2 Stereo
    • Digital Input Port (TOSLINK optical) 1 (ADAT or S/PDIF, selectable)
    • Digital Output Port (TOSLINK optical) 1 (ADAT or S/PDIF, selectable)
    • Thunderbolt 2 ports 2 (Thunderbolt 1 compatible)
    • Word Clock 1 input, 1 output
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Bit Depth Per Sample 24
    • Simultaneous A/D conversion 8 channels
    • Simultaneous D/A conversion 14 channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with four serial UAD-2 plug-ins via Console application 1.1 milliseconds @ 96 kHz sample rate
Analog I/O
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Microphone Inputs 1 – 8
    • Connector Type XLR Female, pin 2 positive (Combo XLR/TRS)
    • Phantom Power +48V (switchable per mic input)
    • Dynamic Range 119 dB (A–weighting)
    • Signal-to-Noise Ratio 119 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Equivalent Input Noise –128.7 dB
    • Common-Mode Rejection Ratio (CMRR) 70 dB (10’ cable)
    • Default Input Impedance 5.4K Ohms (variable via Unison plug-ins)
    • Gain Range +10 dB to +65 dB
    • Pad Attenuation 20 dB (switchable per input)
    • Maximum Input Level +25 dBu (minimum gain, pad engaged)
  • Hi-Z Inputs 1 – 2
    • Connector Type ¼” Female TS Unbalanced
    • Dynamic Range 118 dB (A–weighting)
    • Signal-to-Noise Ratio 118 dB (A–weighting)
    • Total Harmonic Distortion + Noise –103 dBFS
    • Input Impedance 1M Ohms (variable via Unison plug-ins)
    • Gain Range +10 dB to +65 dB
    • Maximum Input Level +12 dBu
  • Line Inputs 1 – 8
    • Connector Type ¼” Female TRS Balanced (Combo XLR/TRS)
    • Dynamic Range 120 dB (A–weighting)
    • Signal-to-Noise Ratio 120 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Common-Mode Rejection Ratio (CMRR) 60 dB (10’ cable)
    • Input Impedance 10K Ohms
    • Gain Range +10 dB to +65 dB (Line Input Gain = ON)
    • Reference Level +4 dBu (Line Input Gain = BYPASS)
    • Maximum Input Level +20.2 dBu
  • Line Outputs 1 – 6
    • Connector Type ¼” Female TRS Balanced
    • Dynamic Range 121 dB (A–weighting)
    • Signal-to-Noise Ratio 121 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 100 Ohms
    • Maximum Output Level +20.2 dBu
  • Monitor Outputs Left & Right
    • Connector Type ¼” Female TRS Balanced
    • Dynamic Range 121 dB (A–weighting)
    • Signal-to-Noise Ratio 121 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 100 Ohms
    • Maximum Output Level +20.2 dBu
  • Stereo Headphone Outputs 1 – 2
    • Connector Type ¼” Female TRS Stereo
    • Dynamic Range 118 dB (A–weighting)
    • Signal-to-Noise Ratio 118 dB (A–weighting)
    • Total Harmonic Distortion + Noise –101 dBFS
    • Maximum Output Power 160 mW into 300 ohm load
Digital I/O
  • S/PDIF
    • Connector Type (shared with ADAT) Optical TOSLINK JIS F05
    • Format IEC958
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
  • ADAT
    • Connector Type (shared with S/PDIF) Optical TOSLINK JIS F05
    • Format ADAT Digital Lightpipe with S/MUX
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Channel Assignments @ 44.1 kHz, 48 kHz Port 1 = Channels 1 – 8, Port 2 = 1 – 8 (mirrored)
    • Channel Assignments @ 88.2 kHz, 96 kHz Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
    • Channel Assignments @ 176.4 kHz, 192 kHz Port 1 = Channels 1 – 2, Port 2 = Channels 3 – 4
  • Word Clock
    • Connector Type BNC
    • Lock Range ±0.5% of any supported sample rate
    • Word Clock Input Termination 75 Ohms, switchable
  • Synchronization Sources
    • Internal, Word Clock, S/PDIF, ADAT
Electrical
  • Power Supplies External AC to DC Power Supply, Level V compliant
  • AC Input Connector Type IEC Male
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type XLR 4-Pin Locking Male (Neutrik P/N NC4MDM3-H)
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 50 Watts
Mechanical
  • Dimensions
    • Width 19”
    • Height 1.75” (1U rack space)
    • Depth, Chassis Only 12.125”
    • Depth, Including Knob & Jack Protrusions 13.5”
    • Shipping Box (Width x Depth x Height) 24” x 17” x 8”
  • Weight
    • Shipping Weight (with box & accessories) 18 pounds
    • Weight (bare unit) 9.1 pounds
  • Package Contents
    • Apollo 8p Audio Interface Unit
    • External Power Supply
    • AC Power Cable (IEC)
    • Set of (4) Rack-Mount Screws
    • Getting Started URL Card

 

 

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